现代市场中家具设计的后现代主义表达——基于BOCA DO LOBO家具的分析研究
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摘要
"后现代"是一个大家都耳熟能详的词语,后现代主义思潮渗透到当代社会的方方面面,如自然科学、文学、建筑、艺术、社会学、哲学、教育科学等广泛的领域。在家具设计的领域中,后现代主义思想的影响力也是非常巨大的,而在当代社会中,消费者的审美观产生了巨大的改变,为了适应市场,后现代主义的呈现也随之调整。本文便以BOCA DO LOBO品牌家具为例,对家具的设计手法、色彩搭配与材料运用各个方面进行分析,阐述了在现代家具市场中,后现代主义如何表达。
"Post-modernism" is a familiar word for everyone, which permeates all aspects of contemporary society, such as natural sciences,literature, architecture, art, sociology, philosophy, and educational science. In the field of furniture design, the influence of post-modernism is also very huge. In the contemporary society, consumers' aesthetic values have changed dramatically. in order to adapt to the market, the presentation of postmodernism has also adjusted. This article takes BOCA DO LOBO brand furniture as an example, through the analysis of various aspects of design techniques, colors and materials, and expounds how postmodernism expresses itself in the modern furniture market.
"Post-modernism" is a familiar word for everyone, which permeates all aspects of contemporary society, such as natural sciences,literature, architecture, art, sociology, philosophy, and educational science. In the field of furniture design, the influence of post-modernism is also very huge. In the contemporary society, consumers' aesthetic values have changed dramatically. in order to adapt to the market, the presentation of postmodernism has also adjusted. This article takes BOCA DO LOBO brand furniture as an example, through the analysis of various aspects of design techniques, colors and materials, and expounds how postmodernism expresses itself in the modern furniture market.
引文
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[3]钱峰.后现代主义思想在现代家具设计中的体现[J].美与时代(上),2012(12):97-99.
[4]王淑娴.现代家具设计发展趋势研究[J].文化与探索,2017(22):140.
[5]许柏鸣.当代中国家具设计路在何方[J].家具与室内装饰,2017(03):11-13.
[6]胡俊红,陈厚霖.仿生家具的形缘造型与设计之美[J].家具与室内装饰,2017,(02):22-23.
[7]林作新.什么是后现代主义的设计[J].家具与室内装饰,2015(03):22-23.
[8]李禹.家具设计与实训[M].辽宁美术出版社,2011.
[9]朱欢.室内设计中的色彩运用研究[J].家具与室内装饰,2016(12):86-87.
[10]杜彭,陈于书.板式家具色彩搭配方法探讨[J].家具与室内装饰,2017(02):26-27.
[11]丁明清.新材料对家具造型设计的影响[J].艺术科技.2015(06):177-178.
[12]刘宁,张子倩,张瑞.我国家具新材料的使用与设计[J].美与时代(上).2017(10):92-94.
[13]王秀芳,唐立华.针对木材纹理的木制品设计研究[J].家具与室内装饰,2017(03):22-23.
[14]刘文金,王滔.当今实木家具产品主流设计理念概览[J].林产工业,2017,44(08):3-5.
[2]李艳.后现代主义对现代家具设计的影响[J]包装工程,2016(04):100-103.
[3]钱峰.后现代主义思想在现代家具设计中的体现[J].美与时代(上),2012(12):97-99.
[4]王淑娴.现代家具设计发展趋势研究[J].文化与探索,2017(22):140.
[5]许柏鸣.当代中国家具设计路在何方[J].家具与室内装饰,2017(03):11-13.
[6]胡俊红,陈厚霖.仿生家具的形缘造型与设计之美[J].家具与室内装饰,2017,(02):22-23.
[7]林作新.什么是后现代主义的设计[J].家具与室内装饰,2015(03):22-23.
[8]李禹.家具设计与实训[M].辽宁美术出版社,2011.
[9]朱欢.室内设计中的色彩运用研究[J].家具与室内装饰,2016(12):86-87.
[10]杜彭,陈于书.板式家具色彩搭配方法探讨[J].家具与室内装饰,2017(02):26-27.
[11]丁明清.新材料对家具造型设计的影响[J].艺术科技.2015(06):177-178.
[12]刘宁,张子倩,张瑞.我国家具新材料的使用与设计[J].美与时代(上).2017(10):92-94.
[13]王秀芳,唐立华.针对木材纹理的木制品设计研究[J].家具与室内装饰,2017(03):22-23.
[14]刘文金,王滔.当今实木家具产品主流设计理念概览[J].林产工业,2017,44(08):3-5.