基于地域文化的景观桥梁美学设计
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摘要
目前我国的桥梁建设已达到国际一流水平,但在美学设计阶段仍存在地域文化特色缺失等问题,针对此类问题,首先从理论基础出发,论述了地域文化与桥梁美学的含义。在此基础上,以沈阳市"一河两岸"河心岛桥梁设计为例,从不同角度对地域文化进行了挖掘与凝练,形成了盛京—浑河独特的桥梁结构与功能布局。总结了将地域文化融入桥梁美学设计中的关键思路,对桥梁美学设计中体现地域文化特色有一定的借鉴作用。
Nowadays,China’s bridge construction has reached leading level in the world,however in terms of aesthetic design,there are still some problems such as the lack of regional cultural features.For such problems,starting from the theoretical foundation,the meanings of regional culture and bridge aesthetics are discussed.On the basis,taking the design of river center island bridge in Shenyang as an example,the regional culture has been excavated and condensed from different perspectives,forming the unique bridge structure and function layout of Shengjing-Hunhe River.The key ideas of integrating regional culture into bridge aesthetic design are summarized which has some reference for expressing the regional cultural characteristics in the bridge aesthetic design.
Nowadays,China’s bridge construction has reached leading level in the world,however in terms of aesthetic design,there are still some problems such as the lack of regional cultural features.For such problems,starting from the theoretical foundation,the meanings of regional culture and bridge aesthetics are discussed.On the basis,taking the design of river center island bridge in Shenyang as an example,the regional culture has been excavated and condensed from different perspectives,forming the unique bridge structure and function layout of Shengjing-Hunhe River.The key ideas of integrating regional culture into bridge aesthetic design are summarized which has some reference for expressing the regional cultural characteristics in the bridge aesthetic design.
引文
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[2]蒋柯夫.南宁青秀山风景名胜区桥梁景观的地域性表达与设计研究[D].中南林业科技大学,2012.
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[4]郭希彦.地域文化在景观设计中的应用研究[D].福建师范大学,2008.
[5]杨婷,季菲菲,吉文丽,等.地域文化在城市景观设计中的表达——以吴起城区景观为例[J].西北林学院学报,2013,28(3):240-244.
[6]魏雯,汪燕,苗宝成.地域文化在景观设计中的应用研究——以革命老区环县环江风情线设计为例[J].西北林学院学报,2014,29(1):222-227.
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[8]王毅娟,郭燕萍.现代桥梁美学与景观设计研究[J].北京建筑工程学院学报,2004,(03):47-50.
[9]高增林,王军,张凯.沈阳浑河历史景观初探[J].四川建筑,2007,(S1):19-20.
[10]李昊.老工业基地兴衰历程中城市文化的变迁——以沈阳市铁西区为例[J].上海城市管理,2017,26(4):82-85.
[11]朱玲,刘一达.铁西工业文化遗产可持续城市景观研究[J].城市建筑,2017,(22):39-41.
[2]蒋柯夫.南宁青秀山风景名胜区桥梁景观的地域性表达与设计研究[D].中南林业科技大学,2012.
[3]王云才,石忆邵,陈田.传统地域文化景观研究进展与展望[J].同济大学学报:社会科学版,2009,20(1):18-24+51.
[4]郭希彦.地域文化在景观设计中的应用研究[D].福建师范大学,2008.
[5]杨婷,季菲菲,吉文丽,等.地域文化在城市景观设计中的表达——以吴起城区景观为例[J].西北林学院学报,2013,28(3):240-244.
[6]魏雯,汪燕,苗宝成.地域文化在景观设计中的应用研究——以革命老区环县环江风情线设计为例[J].西北林学院学报,2014,29(1):222-227.
[7]龙涛.建筑思潮对桥梁美学的影响——以欧美桥梁美学发展为例[J].桥梁建设,2006,(S2):132-134+139.
[8]王毅娟,郭燕萍.现代桥梁美学与景观设计研究[J].北京建筑工程学院学报,2004,(03):47-50.
[9]高增林,王军,张凯.沈阳浑河历史景观初探[J].四川建筑,2007,(S1):19-20.
[10]李昊.老工业基地兴衰历程中城市文化的变迁——以沈阳市铁西区为例[J].上海城市管理,2017,26(4):82-85.
[11]朱玲,刘一达.铁西工业文化遗产可持续城市景观研究[J].城市建筑,2017,(22):39-41.