魔法一根针编织手法及在服装中的应用
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摘要
手工编织品的手工质感、变化多样性以及可以达到的特殊的服装造型,成为寻求个性着装者关注的焦点,同时也是服装设计元素中不可或缺的一类。以魔法一根针手工编织为研究对象,阐述魔法一根针的来源、编织手法和工艺特点,总结魔法一根针在编织领域的创新应用方法,探讨魔法一根针编织技巧、款式与装饰手法等方面在针织成形服装中创新应用。文章表明,魔法一根针集多种编织手法优势于一身,打破传统编织手法的单一钩编模式,为设计师开发新型编织肌理效果提供了思路。
The handicraft texture, variety and special fashion shape of hand-woven products have become the focus of attention of the individual dressers, and also an indispensable part of the elements of fashion design. Taking the manual knitting of magic needle as the research object, this paper expounds the origin, knitting techniques and technological characteristics of magic needle, summarizes the innovative application methods of magic needle in knitting field, and probes into the innovative application of magic needle in knitting forming clothing in terms of knitting skills, styles and decorative techniques. The article shows that the Magic Needle combines the advantages of various knitting techniques with one, breaks the single crochet mode of traditional knitting techniques, and provides ideas for designers to develop new texture effects of knitting.
The handicraft texture, variety and special fashion shape of hand-woven products have become the focus of attention of the individual dressers, and also an indispensable part of the elements of fashion design. Taking the manual knitting of magic needle as the research object, this paper expounds the origin, knitting techniques and technological characteristics of magic needle, summarizes the innovative application methods of magic needle in knitting field, and probes into the innovative application of magic needle in knitting forming clothing in terms of knitting skills, styles and decorative techniques. The article shows that the Magic Needle combines the advantages of various knitting techniques with one, breaks the single crochet mode of traditional knitting techniques, and provides ideas for designers to develop new texture effects of knitting.
引文
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[3]任光辉,吴慧荣.论当代手工编织艺术的文化价值取向[J].时代文学,2011(4):89-91.
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[5]刘鹤,马大力.论针织服装中细节设计的创新[J].针织工业,2006(5):56-58.
[6]李曙.手工编织艺术在现代空间陈设中的形式表现[J].艺术与设计(理论),2016,2(12):87-89.
[7]曹利华,杨娟.钩针编织在现代服饰设计中的应用[J].针织工业,2019(1):1-4.
[8]杨飞飞.维吾尔族菱形纹样在针织设计中的应用[J].天津纺织科技,2018(6):23-26.
[9]尹智端.手工钩针编织立体造型技巧探讨[J].智库时代,2018(31):200-201.
[10]刘大玮,郑嵘,王亚蓉,等.中国古代针织技术发展源流与技术分析[J].针织工业,2018(4):21-24.
[11]何北宁,葛威江.羊毛衫口袋工艺设计与编织方法[J].天津纺织科技,2017(5):34-36.
[12]尹艳梅,徐麟健,朱寒宇.针织服装设计中的手工艺装饰应用[J].针织工业,2009(12):29-31.
[2]金善美,许旭兵.论奢侈品牌与手工坊的合作———针对奢侈品牌“香奈儿”[M].上海:东华大学,2000.
[3]任光辉,吴慧荣.论当代手工编织艺术的文化价值取向[J].时代文学,2011(4):89-91.
[4]高雄清子.魔法一根针基础篇1[M].日本:日本宝库社,1992.
[5]刘鹤,马大力.论针织服装中细节设计的创新[J].针织工业,2006(5):56-58.
[6]李曙.手工编织艺术在现代空间陈设中的形式表现[J].艺术与设计(理论),2016,2(12):87-89.
[7]曹利华,杨娟.钩针编织在现代服饰设计中的应用[J].针织工业,2019(1):1-4.
[8]杨飞飞.维吾尔族菱形纹样在针织设计中的应用[J].天津纺织科技,2018(6):23-26.
[9]尹智端.手工钩针编织立体造型技巧探讨[J].智库时代,2018(31):200-201.
[10]刘大玮,郑嵘,王亚蓉,等.中国古代针织技术发展源流与技术分析[J].针织工业,2018(4):21-24.
[11]何北宁,葛威江.羊毛衫口袋工艺设计与编织方法[J].天津纺织科技,2017(5):34-36.
[12]尹艳梅,徐麟健,朱寒宇.针织服装设计中的手工艺装饰应用[J].针织工业,2009(12):29-31.