熊琏非偶婚与性苦闷的诗词倾诉
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摘要
清代中期江苏如皋才女熊琏少失怙,早年许字同里陈遵,陈遵旋得废疾。后在未婚夫家允许退婚的情况下不改初衷。熊琏的婚姻生活痛苦不堪,非偶婚和性苦闷在她的诗词中以无意识的方式得以较为隐讳却又充分的反映:对春光流逝的喟叹、对双飞双栖的憧憬、对孤独憾恨的倾诉、对"鸳鸯""春梦"的念想、对养育子嗣的渴望,这为后世读者了解其悲剧人生提供了可靠的证据。
In the middle of Qing Dynasty,a talented young girl who lived in Rugao Jiangsu lost her father. Some years later,she was betrothed to Chen Zun who from the same village. However,Suddenly Chen Zun was ill,her fiance was allowed to break off an engagement but she disagree. Xiong Lian experienced the lows of married life. Misalliance and sexual depression can be reflected fully and implicitly in her poetry:sign of the elapse of spring scenery,looking forward to bedding down together,talking about loneliness,thirsting for "mandarin dark"and "spring dream",dying to raise children,all this provide reliable evidence for future generations to understand her miserable life.
In the middle of Qing Dynasty,a talented young girl who lived in Rugao Jiangsu lost her father. Some years later,she was betrothed to Chen Zun who from the same village. However,Suddenly Chen Zun was ill,her fiance was allowed to break off an engagement but she disagree. Xiong Lian experienced the lows of married life. Misalliance and sexual depression can be reflected fully and implicitly in her poetry:sign of the elapse of spring scenery,looking forward to bedding down together,talking about loneliness,thirsting for "mandarin dark"and "spring dream",dying to raise children,all this provide reliable evidence for future generations to understand her miserable life.
引文
[1]徐乃昌辑.小檀栾室汇刻闺秀词·卷十二[M].光绪廿二年刊本.
[2](清)施淑仪撰.清代闺阁诗人征略(卷六)[M].明文书局,民国刊本.
[3](清)恽珠.国朝闺秀正始集卷十三[M].道光红香馆刊本.
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[5]邓红梅.女性词史[M].济南:山东教育出版社,2000.
[6]周思璋.东皋旧话[M].南通市文学艺术联合会,2007.
[7](清)袁枚著,顾学颉校点.随园诗话·补遗卷四[M].北京:人民文学出版社,1982.
[8](清)曹星湖.澹仙诗钞序[M].茹雪山房刻本,嘉庆二年金陵社新甫刻本.
[9]张瑜.清代女词人熊琏的悲剧心态和觉醒意识[J].西南交通大学学报(社会科学版),2009,(1):11―14.
[10]滕小艳.熊琏研究·摘要[D].中南大学硕士学位论文,2012.
[11]李小满.把卷立苍茫———清代女词人吴藻、熊琏论[D].陕西师范大学硕士论文,2007.
[12](美)莫德尔著.文学中的色情动机[M].刘文荣译.上海:文汇出版社,2006.
[13]叶舒宪.探索非理性的世界[M].成都:四川人民出版社,1998.
[14]杜霖.清代如皋女作家熊琏的诗歌创作[J].南通大学学报·社会科学版,2010,(4):117―123.
[15]烨子编著.爱情心理学[M].北京:大众文艺出版社,2001.
[16](清)尤侗.艮斋杂说·卷四[M].北京:中华书局,2006.
[17]赵丽萍.唐诗宋词中的秋千意象及其文化内涵探讨[J].长治学院学报,2011,(4):36―38.
[18]舒红霞著.女性·审美·文化———宋代女性文学研究[M].北京:人民出版社,2004.
(1)(清)熊琏《澹仙诗话·卷一》见南山居藏本,道光己巳年重刊,金陵杜新孚刻。
(1)刘阮事典:南朝宋刘义庆《幽明录》载,汉明帝永平五年,剡县刘晨、阮肇共入浙江天台山采药迷路,遇二仙女,蹉跎半年始归。
(1)螟蛉:《诗经·小雅·小宛》:“螟蛉有子,蜾蠃负之。”螟蛉是一种绿色小虫,蜾蠃是一种寄生蜂。蜾蠃常捕捉螟蛉存放在窝里,产卵在它们身体里,卵孵化后就拿螟蛉作食物。但古人误认为蜾蠃不产子,喂养螟蛉为子,因此用“螟蛉”比喻义子。
[2](清)施淑仪撰.清代闺阁诗人征略(卷六)[M].明文书局,民国刊本.
[3](清)恽珠.国朝闺秀正始集卷十三[M].道光红香馆刊本.
[4]沙元炳,沈文翰,金鉽.如皋县志[M]. 1933.
[5]邓红梅.女性词史[M].济南:山东教育出版社,2000.
[6]周思璋.东皋旧话[M].南通市文学艺术联合会,2007.
[7](清)袁枚著,顾学颉校点.随园诗话·补遗卷四[M].北京:人民文学出版社,1982.
[8](清)曹星湖.澹仙诗钞序[M].茹雪山房刻本,嘉庆二年金陵社新甫刻本.
[9]张瑜.清代女词人熊琏的悲剧心态和觉醒意识[J].西南交通大学学报(社会科学版),2009,(1):11―14.
[10]滕小艳.熊琏研究·摘要[D].中南大学硕士学位论文,2012.
[11]李小满.把卷立苍茫———清代女词人吴藻、熊琏论[D].陕西师范大学硕士论文,2007.
[12](美)莫德尔著.文学中的色情动机[M].刘文荣译.上海:文汇出版社,2006.
[13]叶舒宪.探索非理性的世界[M].成都:四川人民出版社,1998.
[14]杜霖.清代如皋女作家熊琏的诗歌创作[J].南通大学学报·社会科学版,2010,(4):117―123.
[15]烨子编著.爱情心理学[M].北京:大众文艺出版社,2001.
[16](清)尤侗.艮斋杂说·卷四[M].北京:中华书局,2006.
[17]赵丽萍.唐诗宋词中的秋千意象及其文化内涵探讨[J].长治学院学报,2011,(4):36―38.
[18]舒红霞著.女性·审美·文化———宋代女性文学研究[M].北京:人民出版社,2004.
(1)(清)熊琏《澹仙诗话·卷一》见南山居藏本,道光己巳年重刊,金陵杜新孚刻。
(1)刘阮事典:南朝宋刘义庆《幽明录》载,汉明帝永平五年,剡县刘晨、阮肇共入浙江天台山采药迷路,遇二仙女,蹉跎半年始归。
(1)螟蛉:《诗经·小雅·小宛》:“螟蛉有子,蜾蠃负之。”螟蛉是一种绿色小虫,蜾蠃是一种寄生蜂。蜾蠃常捕捉螟蛉存放在窝里,产卵在它们身体里,卵孵化后就拿螟蛉作食物。但古人误认为蜾蠃不产子,喂养螟蛉为子,因此用“螟蛉”比喻义子。