从《母语唤醒的词》看鲁若迪基诗歌的民族性和现代性
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摘要
来自云南的鲁若迪基是一位普米族诗人,他的诗歌创作引起了文学界的广泛关注。在他的诗歌中,既有对故乡小凉山的赞颂之情,也有对民族文化现状的思考。这位普米族诗人拥有世界性的眼光,将其民族文化介绍给世界。文章以他的诗集《母语唤醒的词》为例,分析他诗歌的民族性和现代性。
Rure Diki from Yunnan province is a poet of the pumi nationality. In his poems, he not only praised his hometown Xiaoliangshan, but also thought about the current situation of national culture. This poet has a global vision and introduces his national culture to the world. The article analyzes the nationality and modernity of his poetry by taking his poetry anthology The Awakening of the Mother Tongue as an example.
Rure Diki from Yunnan province is a poet of the pumi nationality. In his poems, he not only praised his hometown Xiaoliangshan, but also thought about the current situation of national culture. This poet has a global vision and introduces his national culture to the world. The article analyzes the nationality and modernity of his poetry by taking his poetry anthology The Awakening of the Mother Tongue as an example.
引文
[1]杨淑萍.唱出自己的腔调——论鲁若迪基诗歌的民族性与现代性[J].云南开放大学学报,2016,(11):48.
[2]鲁若迪基.母语唤醒的词[M].昆明:云南人民出版社.2017:13.
[3]同[2]第21页.
[4]同[2],第94页.
[5]山梅.一课独一无二的心灵——谈鲁若迪基的诗歌[N].文艺报,2013-2-25.
[6]同[2],第9页.
[7]同[2],第63页.
[8]同[2],第102页.
[9]同[2],第9页.
[10]同[2],第59页.
[11]同[2],第64页.
[12]鲁若迪基.没有比泪水更干净的水[M].北京:作家出版社,2009.
[13]同[1],第48页.
[14]纳文洁.扎根民族,守望文化——对鲁若迪基诗歌的一种诠释[J].现象解读,2017,(4).
[2]鲁若迪基.母语唤醒的词[M].昆明:云南人民出版社.2017:13.
[3]同[2]第21页.
[4]同[2],第94页.
[5]山梅.一课独一无二的心灵——谈鲁若迪基的诗歌[N].文艺报,2013-2-25.
[6]同[2],第9页.
[7]同[2],第63页.
[8]同[2],第102页.
[9]同[2],第9页.
[10]同[2],第59页.
[11]同[2],第64页.
[12]鲁若迪基.没有比泪水更干净的水[M].北京:作家出版社,2009.
[13]同[1],第48页.
[14]纳文洁.扎根民族,守望文化——对鲁若迪基诗歌的一种诠释[J].现象解读,2017,(4).