传播与传承:中国乡村纪录片的精神向度——以《俺爹俺娘》和《乡村里的中国》为例
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摘要
纪录片作为文化产业的重要商品样式和国家宣传体系的主要载体,在政策、环境和媒体等因素的共同影响下已经拥有了前所未有的发展前景。在这一语境之下,如何制作出既接地气又具有精神向度的文化产品,进而承担起中国乡村纪录片的传播功能和传承使命,成为广大媒体人的共同追求。出身于农村的摄影师焦波,凭借多年来对农民与乡村的深切理解和生活实录,相继推出了纪录片《俺爹俺娘》和《乡村里的中国》,并引起了社会的巨大反响。研究以此为切入点,探讨了乡村纪录片应有的历史职能、精神向度和美学品格。
As an important cultural commodity type and a major vehicle of national publicity,documentary films now enjoy unprecedentedly promising prospective,thanks to the dynamics from Chinese policy,environment and media factors.Such a situation calls Chinese mass media practitioners to make socially realistic and spiritual idealistic cultural products that publicize the rural China and inherit it culture.The works of rural-born photographer Jiao Bo give an answer.Owing to his years-long observation and understanding of Chinese peasants and the rural part of the country,he yielded his amazing documentary films My Mother,My Father and The Rural China.With a case study of the works,this paper explores the indispensable elements of rural-themed documentary films:historical missions,spiritual pursuits and aesthetic qualities.
As an important cultural commodity type and a major vehicle of national publicity,documentary films now enjoy unprecedentedly promising prospective,thanks to the dynamics from Chinese policy,environment and media factors.Such a situation calls Chinese mass media practitioners to make socially realistic and spiritual idealistic cultural products that publicize the rural China and inherit it culture.The works of rural-born photographer Jiao Bo give an answer.Owing to his years-long observation and understanding of Chinese peasants and the rural part of the country,he yielded his amazing documentary films My Mother,My Father and The Rural China.With a case study of the works,this paper explores the indispensable elements of rural-themed documentary films:historical missions,spiritual pursuits and aesthetic qualities.
引文
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