郭熙《林泉高致》的意境美学理论探析
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摘要
在中国画史上,北宋著名画家郭熙在其著作《林泉高致》中首次明确提出"意境"这一概念,标志着中国山水画意境理论的开端。《林泉高致》的意境美学理论对我们进行中国画创作具有重要的指导意义,其中所论述的技法和美学思想为研究中国画提供了重要的理论参照。文章在对相关代表作品的研究以及结合文献资料的基础上,系统梳理与探讨了《林泉高致》的意境美学理论,探索发现《林泉高致》所蕴含的美学价值。
In the history of Chinese painting,Guo Xi, a famous painter in the northern Song dynasty, put forward the concept of "artistic conception" for the first time in his book Lin Quan Gao Zhi, which marked the beginning of the artistic conception theory of Chinese landscape painting.The theory of artistic conception aesthetics in Lin Quan Gao Zhi is of great guiding significance to the creation of Chinese paintings. The techniques and aesthetic thoughts discussed in it provide important theoretical references for the study of Chinese paintings.Based on the research of the representative works and literature, this paper systematically sorts out and discusses the theory of artistic conception aesthetics of Lin Quan Gao Zhi, and explores the aesthetic value of Lin Quan Gao Zhi.
In the history of Chinese painting,Guo Xi, a famous painter in the northern Song dynasty, put forward the concept of "artistic conception" for the first time in his book Lin Quan Gao Zhi, which marked the beginning of the artistic conception theory of Chinese landscape painting.The theory of artistic conception aesthetics in Lin Quan Gao Zhi is of great guiding significance to the creation of Chinese paintings. The techniques and aesthetic thoughts discussed in it provide important theoretical references for the study of Chinese paintings.Based on the research of the representative works and literature, this paper systematically sorts out and discusses the theory of artistic conception aesthetics of Lin Quan Gao Zhi, and explores the aesthetic value of Lin Quan Gao Zhi.
引文
[1]关宏臣.郭熙《林泉高致》绘画意境论[J].国画家, 2013(3):61-62.
[2]刘跃兵.从《林泉高致》看山水画的意境[J].美术向导, 2010(6):65-67.
[3]宗白华.美学散步[M].上海:上海人民出版社,1981.
[4]宗白华.美学与意境[M].北京:人民出版社,1987.
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[6]徐复观.中国艺术精神[M].上海:华东师范大学出版社,2001.
[7]俞剑华.中国画论类编[M].北京:人民美术出版社,1986.
[8]潘运告.中国历代画论选[M].长沙:湖南美术出版社,2007.
[9]周积寅.中国历代画论[M].南京:江苏美术出版社,2007.
[10]陈传席.中国绘画美学史[M].北京:人民美术出版社,2002.
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(2)周积寅.中国历代画论[M].南京:江苏美术出版社,2007.
(3)北宋·郭熙.林泉高致·山水训[M].
(4)清·永溶、纪昀等撰.四库全书总目[M].北京:中华书局.
(5)陈传席.中国绘画美学史[M].北京:人民美术出版社,1994.
(6)彭吉象.艺术学概论[M].北京:北京大学出版社,2006.
(7)清·石涛.苦瓜和尚画语录·絪缊章第七[M].
(8)北宋·郭熙.林泉高致·画诀[M].
(9)春秋·庄子.庄子·外篇·田子方[M].
(10)俞剑华.中国画论类编[M].北京:人民美术出版社,1998.
(11)宗白华.中国艺术意境之诞生[M]//美学散步.上海:上海人民出版社,1981:78-80.
[2]刘跃兵.从《林泉高致》看山水画的意境[J].美术向导, 2010(6):65-67.
[3]宗白华.美学散步[M].上海:上海人民出版社,1981.
[4]宗白华.美学与意境[M].北京:人民出版社,1987.
[5]叶朗.中国美学史大纲[M].上海:上海人民出版社,1985.
[6]徐复观.中国艺术精神[M].上海:华东师范大学出版社,2001.
[7]俞剑华.中国画论类编[M].北京:人民美术出版社,1986.
[8]潘运告.中国历代画论选[M].长沙:湖南美术出版社,2007.
[9]周积寅.中国历代画论[M].南京:江苏美术出版社,2007.
[10]陈传席.中国绘画美学史[M].北京:人民美术出版社,2002.
(1)叶朗.中国美学史大纲[M].上海:上海人民出版社,2005(1):265.
(2)周积寅.中国历代画论[M].南京:江苏美术出版社,2007.
(3)北宋·郭熙.林泉高致·山水训[M].
(4)清·永溶、纪昀等撰.四库全书总目[M].北京:中华书局.
(5)陈传席.中国绘画美学史[M].北京:人民美术出版社,1994.
(6)彭吉象.艺术学概论[M].北京:北京大学出版社,2006.
(7)清·石涛.苦瓜和尚画语录·絪缊章第七[M].
(8)北宋·郭熙.林泉高致·画诀[M].
(9)春秋·庄子.庄子·外篇·田子方[M].
(10)俞剑华.中国画论类编[M].北京:人民美术出版社,1998.
(11)宗白华.中国艺术意境之诞生[M]//美学散步.上海:上海人民出版社,1981:78-80.