照亮乡土社会的人性之光——从《现代人心灵影像》看非虚构写作的精神向度
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摘要
文德芳的非虚构作品集《现代人心灵影像》真实地记录了处于社会底层的民众之生存状态。作品忠实地展示了现代人的心灵危机,彰显了现代社会仍然保留的传统美德和善良人性,承载了深切的人道关怀和沉重的乡愁意识,作品既富有人性的温度也具有内涵的深度。作者讲述与人物自述相结合的叙事方式赋予了作品鲜明的复调色彩,同时也使作品拥有了人性的光辉与道义的光芒,集中体现了非虚构作品应有的精神向度。
Spiritual Image of Modern People,a portfolio of WEN Defang's non-fictional works,truly records the living conditions of the marginalized people at the bottom and faithfully displays the spiritual crisis of the modern people,which highlights the traditional virtues and good humanity that modern society still retains. Conveying deep humane care and a heavy sense of nostalgia,the portfolio has both human temperature and depth of connotation. The narrative method based on the combination of the author's narration with the self-report of the characters gives the work a distinctive polyphonic color with the light and morality of the humanity,and embodies the spiritual orientation of non-fiction.
Spiritual Image of Modern People,a portfolio of WEN Defang's non-fictional works,truly records the living conditions of the marginalized people at the bottom and faithfully displays the spiritual crisis of the modern people,which highlights the traditional virtues and good humanity that modern society still retains. Conveying deep humane care and a heavy sense of nostalgia,the portfolio has both human temperature and depth of connotation. The narrative method based on the combination of the author's narration with the self-report of the characters gives the work a distinctive polyphonic color with the light and morality of the humanity,and embodies the spiritual orientation of non-fiction.
引文
[1]文德芳.现代人心灵影像[M].太原:北岳文艺出版社,2017.
[2]孙惠芬.人性觉醒之光[N].文艺报,2015-08-12(3).
[3]刘大先.当代经验、民族志转向与非虚构写作[J].小说评论,2018(5):23-27.
[4]李梦丹.“非虚构”之“非”[J].小说评论,2013(3):93.
[2]孙惠芬.人性觉醒之光[N].文艺报,2015-08-12(3).
[3]刘大先.当代经验、民族志转向与非虚构写作[J].小说评论,2018(5):23-27.
[4]李梦丹.“非虚构”之“非”[J].小说评论,2013(3):93.