杜丽娘心路旅程与社会思潮的逻辑关系
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摘要
《牡丹亭》中的杜丽娘是汤显祖贡献给中国文学史一个光彩动人的艺术形象,自诞生以来,便得到人们的广泛关注。她"生者可以死,死者可以生"的坚贞不渝的自由爱情,不但体现了对封建礼教和禁欲主义的强烈反抗和无声控诉,而且表现了一个时代的青年女子内心世界的苦闷,她以其曲折复杂的心理路程完成了自我性格的塑造,反映了当时的社会潮流。
Du Liniang, a charming art image in "Peony Pavilion" written by Tang Xianzu, which is a great contribution in the history of Chinese literature, has been praised highly for many years constantly since its birth. It is her undying devotion of love freedom that "the living can die, the dead can be born", reflects the strong moral revolt and silent complaint to the feudal ethics codes and asceticism, and what we can see from her is the depression of the inner world of the youthwoman in that era. Meanwhile, she completed shaping of her character by herself, with a complex mental journey, mirroring social trends.
Du Liniang, a charming art image in "Peony Pavilion" written by Tang Xianzu, which is a great contribution in the history of Chinese literature, has been praised highly for many years constantly since its birth. It is her undying devotion of love freedom that "the living can die, the dead can be born", reflects the strong moral revolt and silent complaint to the feudal ethics codes and asceticism, and what we can see from her is the depression of the inner world of the youthwoman in that era. Meanwhile, she completed shaping of her character by herself, with a complex mental journey, mirroring social trends.
引文
[1]汤显祖.汤显祖全集[M].徐朔方笺校.北京:北京古籍出版社,1999.
[2]徐扶明.牡丹亭研究资料考释[M].上海:上海古籍出版社,1987.
[3]郭海鹰.非梦不足表其情,非梦不足达其意——释“梦”重论杜丽娘[J].韶关大学学报(社会科学版),1995(9).
[4]汤春华.杜丽娘心态探析[J].武汉教育学院报,1996,15(2).
[5]魏崇新.试谈杜丽娘的心理机制[J].名作欣赏,1986(6).
[6]王从仁.青春觉醒的赞歌[A].中国古代文学作品鉴赏[C].上海:上海古籍出版社,1988.
[2]徐扶明.牡丹亭研究资料考释[M].上海:上海古籍出版社,1987.
[3]郭海鹰.非梦不足表其情,非梦不足达其意——释“梦”重论杜丽娘[J].韶关大学学报(社会科学版),1995(9).
[4]汤春华.杜丽娘心态探析[J].武汉教育学院报,1996,15(2).
[5]魏崇新.试谈杜丽娘的心理机制[J].名作欣赏,1986(6).
[6]王从仁.青春觉醒的赞歌[A].中国古代文学作品鉴赏[C].上海:上海古籍出版社,1988.