影视作品配乐中中西方音乐文化的融合
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摘要
随着人们对影视作品的喜爱,促使影视作品配乐受到大众的一致青睐。新时期下,为,将西方音乐文化融入到我国影视作品配乐中,能够实现影视作品配乐的创新形式。然而,基于中西方音乐文化的差异性,如何将中西方音乐文化相融合,已经成为当前音乐制作人较为关注的问题。因此,本文注重分析中西方影视音乐文化发展的特点,以此论述影视作品配乐中中西方音乐文化融合的必要性,并提出影视作品配乐中中西方音乐文化融合的途径。
With people's love for film and television works,the music of film and television works has been favored by the public.In the new era,the integration of Western music culture into the soundtracks of China's film and television works will enable it to achieve an innovative form of film and television work.However,based on the differences between Chinese and Western music cultures,how to integrate Chinese and Western music cultures has become a problem that current music producers pay more attention to.
With people's love for film and television works,the music of film and television works has been favored by the public.In the new era,the integration of Western music culture into the soundtracks of China's film and television works will enable it to achieve an innovative form of film and television work.However,based on the differences between Chinese and Western music cultures,how to integrate Chinese and Western music cultures has become a problem that current music producers pay more attention to.
引文
[1]周烨.大数据背景下的传媒音乐教学——以南广学院《中西方音乐史》教学为例[J].音乐创作,2014(09):173-175.
[2]张巨斌.在中西比较中建构中国音乐文化的理论体系——管建华《中西音乐文化比较的心路历程》读后[J].南京艺术学院学报(音乐与表演版),2011(04):182-186.
[3]路统洁.浅析中西方音乐文化的异同与融合——有感于美国伊斯曼音乐学院在我院的交流音乐会[J].黄河之声,2010(22):30-31.
[2]张巨斌.在中西比较中建构中国音乐文化的理论体系——管建华《中西音乐文化比较的心路历程》读后[J].南京艺术学院学报(音乐与表演版),2011(04):182-186.
[3]路统洁.浅析中西方音乐文化的异同与融合——有感于美国伊斯曼音乐学院在我院的交流音乐会[J].黄河之声,2010(22):30-31.