摘要
张承志在小说里构造了一个与蒙古草原、黄土高坡、北疆山川这三块土地密切相关的动物世界。骏马、狗、羊这三类意象尤为突出,他笔下的骏马是英雄的坐骑,青春的见证;狗是忠诚的伴侣,前行的支撑;羊是宗教的寄托,神圣的象征。这些动物意象的设置,与作家的成长经历密切相关,它们的存在从根本上反映了张承志对草原文化和苦难宗教观发自内心的认同。
In his novel,Zhang Chengzhi constructs an animal world closely related to the Mongolian prairie,the Loess plateau and mountains and rivers in northern Xinjiang.The images of horse,dog and sheep are particularly prominent.The horse in his pen is the mount of the hero and the witness of youth.A dog is a faithful companion and a supporter to move on;The sheep is the religious sustenance, the sacred symbol.The setting of these animal images in the novels is definitely related to the writer's growing experience,and their existence fundamentally reflects Zhang Chengzhi's heartfelt identification of grassland culture and religious view of suffering.
引文
[1]张承志.心灵史[M].广州:花城出版社,1991.
[2]拓明霞.张承志小说中的蒙古族音乐[J].现代语文,2014(5).
[3]张承志.金牧场[M].北京:作家出版社,2006.
[4]张承志.黑骏马[M].北京:东方出版社,2014.
[5]王海环.论张承志小说的民族特性[D].吉林:延边大学,2009.